- #Hitfilm pro chroma key movie#
- #Hitfilm pro chroma key software#
- #Hitfilm pro chroma key professional#
5 feet from the green screen and the Promaster lights are two to three feet to the front of me at about 45-degree angle – one on each side.
#Hitfilm pro chroma key movie#
I learned there is, “roto” that can be done but it’s extremely time-consuming – and I don’t know if Sony Movie Studio Platinum 13 even has that feature. uh well I didn’t quite follow the rest of it. As an example, I adjusted the brightness and it made my suit black when It’s dark blue.Īnother video talked about using motion track to crop and then enlarge myself. Perhaps that is no different than adjusting, “brightness/contrast”? I tried what tweaks I had access to but I found it screwed up other parts of the image.
#Hitfilm pro chroma key software#
The few I found talked about adjusting “levels” and when in “mask” mode making black blacker and white whiter – um I think they were referring to when in “brightness and contrast” plugin? Another video talked about, “keylight, screen matt, adjust clip black, adjust clip white” but that was some different software prog I don’t have. There were not many videos that address this issue. There are many tutorial vids on general green screening, but I notice many of them also do not get a 100% clean key. I moved my image of myself to the left to cover up the bleed through in the corner but it looks goofy pushed into the corner like that. I ended up using the cookie cutter and placed a triangle around me and that helped, except for the lower left which I could not cover with the triangle cookie cutter. I saw a video instruction on YouTube that said you can use the fluorescent lights if you are too cheap to spend another $500 for the Promaster lights. The fluorescent lights are 4 feet long and there are two fluorescent lights per fixture and I hang them vertically on stands that are about 5 feet tall so they go from 5 feet to about a foot from the floor. that cost $20 each that I set behind me, pointed at the green screen diagonally at about a 33-45-degree angle. I then have the long fluorescent tube lights like you see in ceilings at schools etc.
#Hitfilm pro chroma key professional#
FYI – I have 2 professional lights Promaster that I paid $500 total for and they are on stands 6 feet high at about 45-degree angles to the front of me. With perfect lighting – I understand no other adjustments would be required but as mentioned, I have continuously experimented with different lighting positions and still always get some bleed through so I was looking for other ways I might be able to tweak the bleed throughout. I spent a lot of time looking at videos on YouTube and on the internet, that address this issue. However, when I make the adjustments to lighting, I seem to always still end up with some “bleed through” no matter how many times I rearrange the lighting. Of course, I am aware that it’s caused by uneven lighting. Yup – I tried to put the lights exactly as before when I got good keys but oddly, now get bleed through. I have previously had good luck and many successful chroma key pulls but lately, always end up w some bleed through. I adjust the background to where there is no white showing through but then that makes white holes in my head/hairline/me that I attempting to composite. I get what I am calling, “bleed through” no matter how much I rearrange the lights. I am having trouble getting a clean chroma key effect. I know this is a Vegas forum but I am using Sony Movie Studio Platinum 13.
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